![]() "Nathan Jones" was the most successful single released from the Supremes' fourteenth regular studio album, Touch. Overseas, the single reached number five on the UK Singles Chart. Released as a single on April 15, 1971, with "Happy is a Bumpy Road" as its B-side, "Nathan Jones" peaked at number 16 on the Billboard Pop Singles chart and number eight on the Billboard R&B chart. This was accomplished by either using a second recorder (as the Beatles would have done) or (less likely) an outboard processor such as the blue faced MXR flanger. In addition, Wilson had his engineer, Cal Harris, use what can (now) be considered classic studio sensibilities to take The Funk Brothers' backing tracks for "Nathan Jones" and give them a phase shifting sound at various points during the song. The unison vocals would repeatedly be dubbed to create a layered harmonic tone. While working on the song, producer Frank Wilson had in mind a rock music style of phrasing for the song, resulting in the unison vocals. Clydie King was asked to sing along with the group to give the song a fuller vocal sound. "Nathan Jones" is an unusual entry among the Supremes' singles repertoire for several reasons, not the least of which is the fact that all three members of the group ( Jean Terrell, Mary Wilson, and Cindy Birdsong) sing the song's lead vocal in unison. The song centers around a woman's longing for her former lover, a man named Nathan Jones, who left her nearly a year ago "to ease mind." Suffering through the long separation ( "Winter's past, spring, and fall") without any contact or communication between herself and Jones, the narrator is no longer in love with Jones, remarking that "Nathan Jones/you've been gone too long". Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston, "Nathan Jones" was one of eight top-40 entries the Supremes recorded after its original frontwoman, Diana Ross, left the group for a solo career. It was released on April 15, 1971, as the album's lead single. Both foreboding and optimistic, “Restore Us” is less the battle hymn that is usually the stock in trade of the post punks, and more of a face-the-facts statement that it's time." Nathan Jones" is a song by American girl group the Supremes from their twenty-third studio album, Touch (1971). In fact, ideas for the song have been germinating for three years, with it ultimately coming into focus over the past year. The well-received “Femme Fatale” and “Closed Eyes” singles were released earlier this year, spending several weeks at the top of many indie charts, including the Indie Disko Top 40.Īs industry veterans, their long arc provides some crucial perspective as we enter uncharted waters. In 2019 they released the Permafrost EP to high praise. Robert Heggdal, Trond Tornes and eventually Daryl Bamonte, who had worked with bands like Depeche Mode, and The Cure, rounded out the group. They released the Godtment EP a year later. Permafrost was formed in 1982, in Molde, Norway by Frode Heggdal Larsen and Kåre Steinsbu, during the first post punk era, taking their name from a Magazine track. With “Restore Us”, Permafrost has just released what could be the theme song for the post-lockdown era. One would be forgiven for feeling a little nostalgic for better times about now, and we’re long overdue for a hard reset.
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